Our trip to Wayanad
Written by: Jishnav Iyer
As
part of our environmental exposure course we went on a study tour to Uravu in
Wayanad district, Kerala to look at the working of an NGO. We were thirteen
students accompanied by two facilitators, Narendra and Aditi. I am a reluctant
traveller by nature and my stomach was knotted with anxiety as the date of our
trip came closer. It didn’t turn out that bad, though. I actually managed to
enjoy myself and make some good friends. I just had to hold my breath every morning
before pouring ice cold water on me.
We
left from Bangalore at around 6:30 and we reached Kalpetta at 5:00-5:30 in the
morning. It was cold and we made our way to M S Swaminathan Research Foundation
where we were staying at the Arani Community Training Centre.
After
breakfast, we left for Thrikkaipetta village. There were a lot of betel nut
trees, banana trees and coconut trees, as well as a tea plantation. Many of the
houses shared a unique railing on the balcony walls and veranda walls and had
slanted roofs of red bricks.
Mr.
Surendranath C, the President of Uravu
greeted us at the Common Facilities Centre and gave us an introduction to
Uravu.
It
is a non-profit, non-government organisation which began in 1996 as a
collection of friends. Their objective was to improve the socio-economic status
of women, artisans and the aboriginal people by giving them control over the
local natural resources and skills. Uravu chose to work in Wayanad as it was
and still is a very backward area. At the time, a pulp mill ( Grasim
Industries, Mavoor) had monopoly over bamboo and used up all the forest bamboo.
The bamboo artisans were moving away from their traditional handicrafts.
Uravu started by providing skills and training
to the artisans. Even now, every time a new product is introduced in one of the
producing units, depending on the product, training is given for one or two
weeks. This I feel is very crucial for keeping the artisans in pace with the
changes. Also, the well experienced workers go to the other units to train
other artisans. The next step was to organise them into micro-enterprises, and
make the market available to them. After forming the micro-enterprises, they
make the artisans there self sufficient and then step out from there. They basically ensure the artisans
availability of raw material and a market for their products. They also provide
special training for disadvantaged people. Though it is a non-governmental
organisation, Uravu procures government funds and bank loans. Now days, venture
capital and other financial sources are available to them.
Uravu
decided to work with bamboo as it is locally available all over Wayanad and it
is eco-friendly. The idea was to use local resources in empowering the people
as this would decrease the transportation cost. Uravu has its own bamboo
nursery and a large piece of land where they do bamboo cultivation. Bamboo
grows fast and it can be used in a variety of ways. Uravu makes lanterns, cake boxes, candle holders,
trays, masks, pens, hangers, furniture and many other things with bamboo. Uravu
also plans to work with jack fruit which grows widely in Kerala. A large
portion of land comes under the jurisdiction of the aboriginal community where
a lot of medicinal plants such as vellila, lemon grass and a plant used to cure
arthritis grow in the wild. We saw a small unit where people were making lemon
grass oil. However, there are people setting up plantations in these areas.
There are tea, coffee, banana and betel nut plantations all over Wayanad. This
kind of commercial production has encroached on the traditional small scale
local production of handicrafts which has led to unemployment.
On
our second day we visited four of the micro-enterprises and saw how a craft
community functions as an economic model. Then we visited three tourism spots,
the Edakkal caves, the Wayanad Tribal Museum, and the Soochipara waterfall. On
our fourth day we went for a trek in the morning and then visited Kanavu, a
tribal school, and on our last day we had hands-on minds-on experience working
with bamboo.
Before
leaving for Kerala, we had studied some companies such as Anokhi, Fab India and
Rain Tree, so I could compare their models. Unlike some big companies like Fab
India, Uravu has focused only on Wayanad. Fab India, for example procures their
products from artisans all over India, including Delhi and Kandahar. The
artisans get paid daily and monthly wages and they work collectively like in
the clusters of Uravu. In Uravu, there are also some people who work from home
and sell to Uravu. Fab India has its head office and warehousein Delhi. The
designs are given from the head office, which the artisans produce, and the
material is then taken to the warehouse. In this system, the producing units
work under the main office, and it also ensures that the designs are sensible
to contemporary market trends. Unlike in Uravu, focus is given less on making
the producing units independent and self sufficient, and more on marketing and
profit, thus the units are dependent on Fab India for their livelihood. In the
micro-enterprises we visited, we found that the number of workers had depleted
over time. Some of them dropped out when they got married and stopped working
outside the house, while others left due to dust allergies, for which now they
are provided with masks and goggles. The work timings in the units don’t exceed
5:30pm, which gives them ample time to spend with their family, which is
probably an important part of why their families allow them to work. The
artisans there told us that if their salaries went unacceptably low, they asked
for an increase, and Uravu generally agreed. This might be one of the
strategies to stop people from leaving. However, the salaries are generally
just Rs 125 to 180 per day. In order to manage their finance the members save
money and put Rs 50 per week or Rs100 per month, depending on which cluster
they belong to, in the South Malabar Gramine Bank. They borrow money from this
central financial pool for their personal needs, and they do not need
collateral.
When
we asked them if they make things on their own in their free time, they said
that by the time they finished one order, another order comes, so they don’t
get to experiment, which also means that there is never a lull in activities
unlike in agriculture. Uravu makes sure that material is not wasted and the
waste that is not being used by one unit is taken to another unit where it can
be used. Since it is not producing in a large scale, even a little wastage can
be very damaging. In Urvara designs, a small bag shop, they initially made bags
completely of bamboo, but since it was not cost effective, they had to switch
to jute bags with portions made of bamboo. In Soubhagya cluster, they have a
weekly meeting on Saturdays called Kudumbasree, where they discuss the
products, their work, finances and family issues. In Unarvu, where the artisans
made ornaments, the designs painted on the bead’s surface were their own. They
took inspiration from magazines and television. This is a good idea as this
makes them artists as well as designers, giving them a sense of pride and a way
to channel their creative needs. They told us that they are proud that people
in the cities wear ornaments made by them. However, many of the designs are not
in tune with the contemporary market trends.
Along
the long path leading to the Edakkal caves, there are markets lined up where
they sell refreshments, thus it has provided job opportunities to many people.
The entrance fee that is collected outside is used up in the maintenance.
However, in Soochipara waterfall, the aboriginal people have some claim over
the fee as they help in maintaining the area. When we went to the waterfall,
two guards stopped some people who were misbehaving with us, helped us cross
over the slippery rocks towards the waterfall and walked us back to our cars as
well. They had no such obligation to care, but they were very kind and clearly
took pride in their work. The waterfall was extremely beautiful, and making our
way to the back of the waterfall was a most eye opening experience for me.
We
went to Kanavu, a school for the aboriginal people started by K J Baby in 1993.
Vista organisation had given them land. The school followed the gurukul system
and did not follow a regular syllabus. It gave stress to practical education,
and activities like dance, martial arts, music, films, etc. In 1996 however,
Vista stopped funding them, so they formed groups and started performing in
different places to earn money. There was a financial crisis and people got
married and moved away. Alcoholism is on the rise. They are not getting
government support as the school is not registered. Now they are trying to get
it registered with the government.
On
our last day, we got to work with bamboo. I made a small table with three
crossing legs. I enjoyed pealing the skin and polishing the bamboo, obsessively
trying to achieve perfection. My idea was to design a furniture piece that was
simple and aesthetic. The artisans there sincerely helped us with no sign of
impatience, and I am thankful to them. After interacting with the aboriginal
community, I realized that they are not very different from us. The only major
difference seems to be in the economy. On our last day I saw the workers at the
Common Facilities Centre leave for the day. They did not seem very different
from the people in the towns. Part of it I think was because of the confidence
and self assured manner in which they carried themselves. Unlike the dull
clothes we imagine them to be in, they were all dressed in beautiful sarees,
carrying neat shoulder bags. I feel Uravu is doing a great job in empowering
these people.
Suggestions
1. The Wayanad Tribal Museum
did not catch my attention and I feel this can be improved. I am not sure if
improving on the presentation of the artefacts will attract tourists either.
However, if the tribal museum was one part of a bigger museum
people might find it more intriguing. Then they might want to compare and
contrast the rest of the museum with the works of the aboriginals.
Also, the tribal museum could be a part of a larger
presentation of native work. Shops selling bamboo products that attract
tourists could be set up in the space around the museum. Here bamboo products
like glasses, ornaments and cake boxes which are cheap, utilitarian and have an
aesthetic value at the same time can be sold. Also there should be a guide who
speaks in English and more information should be given on each artefact if it’s
available.
2. Uravu can look at the
potential of banana leaf products as well. Boxes, baskets, vases, etc. can be
made of banana fibre, and since banana trees grow abundantly in Wayanad, it can
fit in with Uravu’s overall scheme of using locally available natural resources
for community upliftment. It can also be combined with bamboo in the way bamboo
is combined with jute in Urvara designs. In Vanuatu, a nation island next to Australia,
vegetables like potatoes are bagged in simple banana leaf bags made in a
criss-cross manner. Depending on the cost of producing such bags and their
effectiveness they can be either sold to other vegetable markets in substitute
to plastic and paper bags, or can be simply used to package Uravu products to
give it a sort of branding that projects its support for eco-friendly products.
Bags can also be made for direct sale in the market. Object Havoc Ltd, for
example, produces Banana Leaf Bags in which the leafs are laminated to fabric
for flexibility and strength, and it is designed to expand for shopping and
flatten to store.
3. People now days tend to
think of the aboriginal people as being primitive and alien from the rest of
the world. Nowhere is this more evident than in www.kerelatourism.org which says that the aboriginal people are “physically
distinguishable with darker skin and stout built physique. They often live in
houses made of thatched roof, mud, bamboo and brick houses set in swampy
valleys and plateaus.”
As designers we can change this view of the aboriginals
through blogs, exhibitions, even books etc. reciting our experiences. Also the
right kind of photos can make a lot of difference. As designers we should take
pictures that show the aboriginal people the way they really are. Merchandise
such as T-shirts can also promote a certain image of the indigenous people.
4. In order to get more ideas
for their product designs, Uravu should have students from design colleges come
in for around a week every year and have workshops with the artisans here. In
such a system knowledge would be imparted both ways. Uravu will not pay the
designers. Their payment will be in the form of the experience imparted or in
the form of accommodation provided during the short stay. This should happen
every year because market trends are changing fast. It does not mean that every
year a new set of products will be introduced, but it will give them time to
experiment with the new designs while the previous designs are still in the
market.
Some questions left
1. If Uravu gets hold of
sufficient finance, and it has achieved its objective of uplifting the
community, will it be willing to expand its markets on the scale of Fab India,
and other brands?
2. If Self Help Groups are
organised among the women in and around Kanavu, how much money will they be
able to collect in how much time? Can this be used in the form of finance for
the school? Will they then be able to continue the way they did, with the
ex-students becoming the teachers?
In Ujide,
Mangalore, there is an NGO called SELCO which has a program where in order to
get the students to attend school, they put solar panels on the school and give
small solar lanterns to the students. The students come to school and get the
lanterns charged for the evening. This kind of a system can be introduced here.
The payment for the equipment can be made over a time span of twenty years or
so.
I believe that
the education system in Kanavu is a great one and can reduce the possibility of
alcoholism among children and result in good natured human beings who are
academically intelligent as well as morally and spiritually intelligent.
No comments:
Post a Comment